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Iron and brass hand towel rail by GLab

Inspired by Giorgio de Chirico, in a contemporary interpretation of his ‘Metaphysical Squares’

Inspired by Giorgio de Chirico, in a contemporary interpretation of his ‘Metaphysical Squares’

A soft curve in metal with a glossy, reflective surface a central laser cut that creates a shadow line. It is the large format centerpiece…

The charm of the old traveling trunk turns into new ones processing and the use of unusual materials. Depending on the various settings, it can…

Each product is unique, made entirely by hand by blacksmiths, carpenters, upholsterers, jewellers and glaziers.

A material reinterpretation of the classic bistro table. Whose deformation of the structure is softened by the surface of the top in golden fabric and…

The "O" mirror stems from the idea of transforming a commonly used object into an elegant and flexible piece of furniture for everyday use.

A special wall light that plays with the reflection of the mirror, elegant and playful, easily adapts to the space. giving it an extra touch.

Inspired by Giorgio de Chirico, in a contemporary interpretation of his ‘Metaphysical Squares’

Paris/Roma is the fruit of a “retro futuristic” project called Decorūm, where the déco elements are mixed and touched by the evolution of the design:…

Dining table with antique brass top and cast brass legs. The two ends can be removed and function as consolles.

Designed by Palermouno team as a retro-contemporary piece, this unique style mirror plays with geometrical shapes and soft colours to enhance any decorating idea. It…

Iron and brass hand towel rail by Glab

An important and fun ashtray, made of brass, it also lends itself to a coin tray.

Let your imagination fly! The paper airplane becomes a decorative object. Place it on any shelf of your lovely home

These shelves recall a cut typical of precious stones and architectural details. They become precious pieces of furniture and objects designed for everyday use. Suitable…

Inspired by Giorgio de Chirico, in a contemporary interpretation of his ‘Metaphysical Squares’